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Domestic realism normally refers to the genre of nineteenth-century novels popular with women readers. This body of writing is also known as "sentimental fiction" or "woman's fiction". The genre is mainly reflected in the novel though short-stories and non-fiction works such as Harriet Beecher Stowe's "Our Country Neighbors" and ''The New Housekeeper's Manual'' written by Stowe and her sister-in-law Catharine Beecher are works of domestic realism. The style's particular characteristics are: "1. Plot focuses on a heroine who embodies one of two types of exemplar: the angel and the practical woman (Reynolds) who sometimes exist in the same work. Baym says that this heroine is contrasted with the passive woman (incompetent, cowardly, ignorant; often the heroine's mother is this type) and the "belle," who is deprived of a proper education. 2. The heroine struggles for self-mastery, learning the pain of conquering her own passions (Tompkins, Sensational Designs, 172). 3. The heroine learns to balance society's demands for self-denial with her own desire for autonomy, a struggle often addressed in terms of religion. 4. She suffers at the hands of abusers of power before establishing a network of surrogate kin. 5. The plots "repeatedly identify immersion in feeling as one of the great temptations and dangers for a developing woman. They show that feeling must be controlled. . . " (Baym 25). Frances Cogan notes that the heroines thus undergo a full education within which to realize feminine obligations (The All-American Girl). 6. The tales generally end with marriage, usually one of two possible kinds: A. Reforming the bad or "wild" male, as in Augusta Evans's ''St. Elmo'' (1867) B. Marrying the solid male who already meets her qualifications. Examples: Maria Cummins, ''The Lamplighter'' (1854) and Susan Warner, ''The Wide, Wide World'' (1850) 7. The novels may use a "language of tears" that evokes sympathy from the readers. 8. Richard Brodhead (Cultures of Letters) sees class as an important issue, as the ideal family or heroine is poised between a lower-class family exemplifying poverty and domestic disorganization and upper-class characters exemplifying an idle, frivolous existence (94)."〔Campbell, Donna M. ''Domestic or Sentimental Fiction, 1820-1865'' 21 May 2007. ()〕 An example of this style of novel is Jane Smiley's ''A Thousand Acres'' in which the main character's confinement is emphasized in such a way. Some early exponents of the genre of domestic realism were Jane Austen and Elizabeth Barrett Browning. ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Domestic realism」の詳細全文を読む スポンサード リンク
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